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<!doctype html>
<html>
<head>
<title>OFF-LOD</title>
<meta charset="utf-8">
<meta name="viewport" content="width=device-widht, inital-scale=1">
<link rel="stylesheet" href="https://maxcdn.bootstrapcdn.com/bootstrap/4.5.2/css/bootstrap.min.css">
<link rel="stylesheet" href="css/style.css"/>
<link rel='stylesheet' href='https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css'>
<link href='https://fonts.googleapis.com/css?family=DM Sans' rel='stylesheet'>
<link rel="preconnect" href="https://fonts.googleapis.com">
<link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
<link href="https://fonts.googleapis.com/css2?family=Beau+Rivage&display=swap" rel="stylesheet">
</head>
<body>
<header class="fixed-top">
<div class="container-fluid d-flex justify-content-between">
<a href="index.html" id="logo">
<h1>
<span id="zk-trigger">
O<span class="hide hide1">rlando</span>
F<span class="hide hide2">urioso</span>
<span id="cursive">f<span class="hide hide1">or</span></span>
-L<span class="hide hide2">inked</span>
O<span class="hide hide1">pen</span>
D<span class="hide hide2">ata</span>
</span>
</h1>
</a>
<nav class="navbar">
<ul>
<li class="dropdown"><a class="scrollto active" href="#hero">The project</a>
<ul>
<li><a href="#idea">Idea</a></li>
<li><a href="#itemssection">Items</a></li>
<li><a href="#thirdsection">Workflow</a></li>
<li><a href="#teampresentation">Team</a></li>
</ul>
</li>
<li class="dropdown"><a href="models.html">Knowledge <br> Organization</a>
<ul>
<li><a href="models.html#conceptualMap">Conceptual map</a></li>
<li><a href="models.html#ERModel">E/R model</a></li>
<li class="dropdown"><a href="#">Metadata</a>
<ul>
<li><a href="models.html#MDScouting">Metadata scouting</a></li>
<li><a href="models.html#MDAlignment">Metadata alignment</a></li>
</ul>
</li>
<li><a href="models.html#TheoModel">Theoretical model</a></li>
<li><a href="models.html#ConcModel">Conceptual model</a></li>
</ul>
</li>
<li class="dropdown"><a href="data.html">Knowledge <br> Representation</a>
<ul>
<li><a href="data.html#DataDesc">Data description</a></li>
<li><a href="data.html#URI">URI definition</a></li>
<li><a href="data.html#Turtle">RDF production</a></li>
<li><a href="data.html#RDFVisualization">RDF visualization</a></li>
</ul>
</li>
</ul>
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</header>
<div id="hero">
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<a href="#studyofthedomain" id="linkbutton">
<button class="but">
<span class="text">Discover the project</span>
<span>Get Started</span></button>
</a>
</div>
</div>
<section id="studyofthedomain">
<div class="container py-5 h-100">
<div class="row d-flex justify-content-center align-items-center h-100">
<div class="col col-lg-10 col-xl-8">
<div class="card rounded-3">
<div class="card-body p-5">
<div class="d-flex justify-content-center mb-4">
<img src="images/Ludovico.jpg" alt="Ludovico Ariosto" class="rounded-circle shadow-1-strong" width=20%/>
</div>
<figure class="text-center mb-0">
<blockquote class="blockquote mb-4" align=”center”>
<em>
Of Dames, of Knights, of armes, of loves delight,<br/>
Of courtesies, of high attempts I speake</em>
</blockquote>
<figcaption class="blockquote-footer mb-0">
Ludovico Ariosto in <cite title="Source Title">Orlando Furioso</cite>
</figcaption>
</figure>
</div>
</div>
</div>
</div>
</div>
<div>
<div id="idea"><h2 class="slide">The project</h2></div>
<p class="undertitle">The <b><em>Orlando furioso</em></b> is one of the most important poems of the Italian literary tradition. It was written by <b>Ludovico Ariosto</b> in the first half of the 16th century and describes a particularly intricated plot, focused on different characters. It is considered to be the prosecution of another similar poem, the <em><a href="https://en.wikipedia.org/wiki/Orlando_Innamorato" class="underline">Orlando Innamorato</a></em> by Matteo Maria Boiardo, an epic poem published few decades before. The narrative structure of the <em>Orlando Furioso</em>, indeed, is focused on <b>three main aspects</b>:
<ul>
<li>the war between the Christian army, led by Charlemagne, and the Saracen army, led by Agramante</li>
<li>the unreciprocated love (and the consequent madness) of Orlando, paladin of the King of France, for the Princess Angelica</li>
<li>the relationship between Ruggiero and Bradamante, which will give birth to the dynasty of the Estes, dukes of Ferrara.</li>
</ul>
</p>
<p> Ludovico Ariosto spent most of his life in the territories now corresponding to the Italian region of Emilia-Romagna: he was born in Reggio Emilia in 1474 and his father, who was originary of Bologna, was at the service of the <b><a href="https://en.wikipedia.org/wiki/House_of_Este" class="underline">House of Este</a></b> in Ferrara. This link with the Duchy of Ferrara will be stronger for Ariosto, as in 1503 he started working for the cardinal Ippolito d’Este: this important relationship will deeply influence the professional life and the opera omnia of the Italian writer.
</p>
<p>Beyond its services for the House of Este, Ariosto played a <b>crucial role for Italian language and culture</b>. For instance, its <em>Orlando Furioso</em> mirrored the new grammatical rules for italian writers set by <a href="https://www.treccani.it/enciclopedia/pietro-bembo_%28Enciclopedia-dell%27Italiano%29/#:~:text=Le%20Prose%20della%20volgar%20lingua,a%20Venezia%20addirittura%20nel%201502" class="underline">Pietro Bembo</a> in the work <em>Prose nelle quali si ragiona della volgar lingua</em>. Bembo's collaboration was relevant in the stylistic corrections Ariosto made to the different editions of his <em> Orlando Furioso</em> (first edition in 1516, second in 1521, third in 1532). Several episodes of this poem became extremely famous and have been reinterpreted by many authors and artists over the centuries.
</p>
</div>
</section>
<div id="itemssection">
<div><h2 class="slide">Selected items</h2></div>
<p class="undertitle">This knowledge organization project aims at portraying through the tools of <b>linked open data</b> (LOD) the cultural <em>humus</em> surrounding the production of the <em>Orlando furioso</em> and providing an anthology of the most relevant reinterpretation of Ariosto’s masterpiece through different media and artistic languages from the Cinquecento to present days. To accomplish this objective, we opted for eleven items, preserved by different <b>LAM institutions</b>:</p>
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<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor" class="bi bi-book" viewBox="0 0 16 16">
<path d="M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z"/>
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Libraries
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<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor" class="bi bi-archive" viewBox="0 0 16 16">
<path d="M0 2a1 1 0 0 1 1-1h14a1 1 0 0 1 1 1v2a1 1 0 0 1-1 1v7.5a2.5 2.5 0 0 1-2.5 2.5h-9A2.5 2.5 0 0 1 1 12.5V5a1 1 0 0 1-1-1V2zm2 3v7.5A1.5 1.5 0 0 0 3.5 14h9a1.5 1.5 0 0 0 1.5-1.5V5H2zm13-3H1v2h14V2zM5 7.5a.5.5 0 0 1 .5-.5h5a.5.5 0 0 1 0 1h-5a.5.5 0 0 1-.5-.5z"/>
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Archives
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<path d="M8 5a1.5 1.5 0 1 0 0-3 1.5 1.5 0 0 0 0 3zm4 3a1.5 1.5 0 1 0 0-3 1.5 1.5 0 0 0 0 3zM5.5 7a1.5 1.5 0 1 1-3 0 1.5 1.5 0 0 1 3 0zm.5 6a1.5 1.5 0 1 0 0-3 1.5 1.5 0 0 0 0 3z"/>
<path d="M16 8c0 3.15-1.866 2.585-3.567 2.07C11.42 9.763 10.465 9.473 10 10c-.603.683-.475 1.819-.351 2.92C9.826 14.495 9.996 16 8 16a8 8 0 1 1 8-8zm-8 7c.611 0 .654-.171.655-.176.078-.146.124-.464.07-1.119-.014-.168-.037-.37-.061-.591-.052-.464-.112-1.005-.118-1.462-.01-.707.083-1.61.704-2.314.369-.417.845-.578 1.272-.618.404-.038.812.026 1.16.104.343.077.702.186 1.025.284l.028.008c.346.105.658.199.953.266.653.148.904.083.991.024C14.717 9.38 15 9.161 15 8a7 7 0 1 0-7 7z"/>
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Museums
</span>
</a>
</div>
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<div class="tab-pane fade shadow rounded bg-white show active p-5" id="v-pills-home" role="tabpanel" aria-labelledby="v-pills-home-tab">
<h4 class="font-italic mb-4">We have chosen...</h4>
<div class="clearfix">
<div class="responsive">
<div class="gallery">
<a target="_blank" href="images/portrait.jpg">
<img src="images/portrait.jpg" alt="Portrait of Ludovico Ariosto" width="600" height="400">
</a>
<div class="desc">
Portrait of Ludovico Ariosto<hr/>Even though the iconography is debated (the man is identified also with Girolamo Barbarigo), this painting by Tiziano is by far one of the most famous portrays of Ariosto
<div class="btncontainer">
<button class="learn-more">
<span class="circle" aria-hidden="true">
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</span>
<span class="button-text items-mus"><a href="https://www.nationalgallery.org.uk/paintings/titian-portrait-of-gerolamo-barbarigo">Learn More</a></span>
</button>
</div>
</div>
</div>
</div>
<div class="responsive">
<div class="gallery">
<a target="_blank" href="images/Furioso1634.jpg">
<img src="images/Furioso1634.jpg" alt="John Harington's translation of the Orlando Furioso" width="600" height="400">
</a>
<div class="desc">John Harington's translation<hr/>One of the most important translation of the poem in English, written by Sir John Harington already in 1591
<div class="btncontainer">
<button class="learn-more items-lib">
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<span class="button-text"><a href="https://archive.org/details/orlandofuriosoin00ario_0">Learn More</a></span>
</button>
</div>
</div>
</div>
</div>
<div class="responsive">
<div class="gallery">
<a target="_blank" href="images/roland.jpg">
<img src="images/roland.jpg" alt="Roland furieux" width="600" height="400">
</a>
<div class="desc">Roland furieux<hr/>In 1867 Jean Bernard Duseigneur realized this bronze statue, describing Orlando during his madness
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<span class="circle" aria-hidden="true">
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<span class="button-text"><a href="https://collections.louvre.fr/en/ark:/53355/cl010094804">Learn More</a></span>
</button>
</div>
</div>
</div>
</div>
<div class="responsive">
<div class="gallery">
<a target="_blank" href="images/flyer.jpg">
<img src="images/flyer.jpg" alt="Flyer by Cervellati" width="600" height="300">
</a>
<div class="desc">Flyer by Alessandro Cervellati<hr/>Sanguineti wrote a theatrical adaptation of the <em>Furioso</em>, which was directed by Ronconi. <q>Genius Bononiae</q> keeps a flyer promoting this performance in Piazza Maggiore, in Bologna in 1969
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<span class="button-text"><a href="https://collezioni.genusbononiae.it/products/dettaglio/2045#">Learn More</a></span>
</button>
</div>
</div>
</div>
</div>
<div class="responsive">
<div class="gallery">
<a target="_blank" href="images/ruggero.jpg">
<img src="images/ruggeroalcina.jpeg" alt="Painting by Nicolò dell’Abate" width="600" height="400">
</a>
<div class="desc">Painting by Nicolò dell’Abate<hr/>The Pinacoteca Nazionale di Bologna displays a fresco cycle with scenes from the Orlando furioso. The chosen panel depicts Ruggero hosted by Alcina in her castle
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<span class="button-text items-mus"><a href="https://www.pinacotecabologna.beniculturali.it/it/content_page/item/30-alcina-riceve-ruggero-nel-suo-castello-30">Learn More</a></span>
</button>
</div>
</div>
</div>
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<div class="responsive">
<div class="gallery">
<a target="_blank" href="images/olifante.jpg">
<img src="images/olifante.jpg" alt="Cor de Roland" width="600" height="400">
</a>
<div class="desc">Cor de Roland<hr/>The olifant is a legendary horn and its owner is believed to be Orlando, one of the main protagonists and the eponymous hero of Ariosto’s poem
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<span class="button-text items-mus"><a href="https://www.pop.culture.gouv.fr/notice/joconde/05650003656">Learn More</a></span>
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</div>
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<div class="desc">Ms. S. Mart. 353<hr/>An autograph manuscript of the Orlando furioso, containing several stanzas of the poem and attesting a systematic correction process by the author
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<div class="desc">Editio Princeps - Mazzocchi<hr/>A printed version of the poem, witnessing the first edition of the Orlando furioso, edited in Ferrara by Giovanni Mazzocchi in 1516
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<div class="desc"><em>L'Orlando Furioso</em> by Sanguineti and Ronconi<hr/>In 1969 Ronconi directed a theatre adaptation of the <em>Orlando furiso</em> written by Edorardo Sanguineti. The play premièred in Spoleto and inspired also a TV Serie produced by RAI.
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<div class="desc">Six memos for the next millennium<hr/>Calvino’s book is a collection of essays of Literary criticism devoted to the description of the features of the literature of the 21st century. Some of this peculiarities are exemplified through the Orlando Furioso
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<div class="desc">Letter to Pietro Bembo<hr/>A letter attesting the epistolary relationship between Ludovico Ariosto and Pietro Bembo. In the document the author of the Orlando furioso wishes that the poem could be revised by the Venetian intellectual.
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<div class="desc">Six memos for the next millennium<hr/>Calvino’s book is a collection of essays of Literary criticism devoted to the description of the features of the literature of the 21st century. Some of this peculiarities are exemplified through the <em>Orlando Furioso</em>
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<div class="desc">Ms. S. Mart. 353<hr/>An autograph manuscript of the Orlando furioso, containing several stanzas of the poem and attesting a systematic correction process by the author
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<div class="desc">Editio Princeps - Mazzocchi<hr/>A printed version of the poem, witnessing the first edition of the Orlando furioso, edited in Ferrara by Giovanni Mazzocchi in 1516
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<div class="desc">Flyer by Alessandro Cervellati<hr/>Sanguineti wrote a theatrical adaptation of the <em>Furioso</em>, which was directed by Ronconi. <q>Genius Bononiae</q> keeps a flyer promoting this performance in Piazza Maggiore, in Bologna in 1969
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<div class="desc"><em>L'Orlando Furioso</em> by Sanguineti and Ronconi<hr/>In 1969 Ronconi directed a theatre adaptation of the <em>Orlando furiso</em> written by Edorardo Sanguineti. The play premièred in Spoleto and inspired also a TV Serie produced by RAI.
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<div class="desc">Letter to Pietro Bembo<hr/>A letter attesting the epistolary relationship between Ludovico Ariosto and Pietro Bembo. In the document the author of the Orlando furioso wishes that the poem could be revised by the Venetian intellectual.
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Portrait of Ludovico Ariosto<hr/>Even though the iconography is debated (the man is identified also with Girolamo Barbarigo), this painting by Tiziano is by far one of the most famous portrays of Ariosto
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<div class="desc">Roland furieux<hr/>In 1867 Jean Bernard Duseigneur realized this bronze statue, describing Orlando during his madness
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<div class="desc">Cor de Roland<hr/>The olifant is a legendary horn and its owner is believed to be Orlando, one of the main protagonists and the eponymous hero of Ariosto’s poem
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<div class="desc">Painting by Nicolò dell’Abate<hr/>The Pinacoteca Nazionale di Bologna displays a fresco cycle with scenes from the Orlando furioso. The chosen panel depicts Ruggero hosted by Alcina in her castle
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<div><h2 class="slide">Workflow</h2></div>
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<ul>
<li class="step step01 active"><div class="step-inner">IDEA DEFINITION & ITEM COLLECTION</div></li>
<li class="step step02"><div class="step-inner">CONCEPTUAL MAP & E/R MODEL</div></li>
<li class="step step03"><div class="step-inner">METADATA SCOUTING & ALIGNMENT</div></li>
<li class="step step04"><div class="step-inner">THEORETICAL & CONCEPTUAL MODEL</div></li>
<li class="step step05"><div class="step-inner">DATA REPRESENTATION & RDF TRANSLATION</div></li>
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<a href="" class="underline">
<span class="workflowtitle">IDEA DEFINITION & ITEM COLLECTION</span><svg viewBox="0 0 13 20"><polyline points="0.5 19.5 3 19.5 12.5 10 3 0.5" /></svg>
</a>
<p>We defined the core idea of the project and selected an adequate number of items from different LAM institutions which are linked to Ariosto’s masterpiece in different ways. Later, each item was described and identified thanks to a link to the hosting institution online catalog.</p>
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<div class="section-content strategy">
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<span class="workflowtitle">CONCEPTUAL MAP & E/R MODEL</span><svg viewBox="0 0 13 20"><polyline points="0.5 19.5 3 19.5 12.5 10 3 0.5" /></svg>
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<p>We tried to reorganize the items and their related information with a conceptual map, an <em>ad hoc</em> graphical representation highlighting links among different items and entities.</p>
<p>The E/R provides a further step of abstraction rather then the conceptual map. The relationship between items and the identified entities are hence translated into a set of more general triple statements.</p>
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<path d="M14,21c0.3,0,0.5-0.1,0.7-0.3l3-3l-1.4-1.4L15,17.6V10h15V8H14c-0.6,0-1,0.4-1,1v8.6l-1.3-1.3l-1.4,1.4l3,3
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<br>
<a href="" class="underline">
<span class="workflowtitle">METADATA SCOUTING & ALIGNMENT</span><svg viewBox="0 0 13 20"><polyline points="0.5 19.5 3 19.5 12.5 10 3 0.5" /></svg>
</a>
<p>We checked for each item the corresponding description provided by the insititution. We later collected metadata according to the most adequate standard. The different properties and their translation in the different standards are later aligned in general tables.</p>
</div>
<div class="section-content production">
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V268.8z"/>
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</svg>
<br>
<a href="" class="underline">
<span class="workflowtitle">THEORETICAL & CONCEPTUAL MODEL</span><svg viewBox="0 0 13 20"><polyline points="0.5 19.5 3 19.5 12.5 10 3 0.5" /></svg>
</a>
<p><p>We interpreted the collected data through a theoretical model, i.e. a graphical representation of the domain which expresses in natural language the information concerning agents, places, dates and subjects/concepts.</p>
<p>Later, we developed a conceptual model, a more formal representation relying on an ontological approach (i.e. through the reuse of existing schemas, vocabularies, and ontologies).</p></p>
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<div class="section-content analysis">
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viewBox="0 0 492.402 492.402" style="enable-background:new 0 0 492.402 492.402;"
xml:space="preserve">
<g>
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</svg>
<br>
<a href="" class="underline">
<span class="workflowtitle">DATA REPRESENTATION & RDF TRANSLATION</span><svg viewBox="0 0 13 20"><polyline points="0.5 19.5 3 19.5 12.5 10 3 0.5" /></svg>
</a>
<p>Following the structure of the conceptual model, we described all our items in terms of triples: subject, predicate, object. These statements are formalized into a RDF Turtle serialization, which allows to model and visualize the studied domain.</p>
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<div><h2 class="slide">The team</h2></div>
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<h5 class="cardname">Sebastiano Giacomini</h5>
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<p class="cardprofession">DHDK student<br>University of Bologna</p>
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<h5 class="cardname">Bianca La Manna</h5>
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<p class="cardprofession">DHDK student<br>University of Bologna</p>
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<h5 class="cardname">Manuele Veggi</h5>
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<p class="cardprofession">DHDK student<br>University of Bologna</p>
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